{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://lcdl.aviaryplatform.com/iiif/1c1td9pw8m/manifest","type":"Manifest","label":{"en":["Oral history interview with Aisha Gallion"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/212/original/LOHI_aviarybanner2.jpg?1741032082","metadata":[{"label":{"en":["Date"]},"value":{"en":["2/11/22"]}},{"label":{"en":["Description"]},"value":{"en":["Aisha Gallion is a queer writer-musician who was born in Columbia, South Carolina and then moved to Charleston, South Carolina to attend college. While in Charleston, she became involved in community and social activism via groups like Southerners on New Ground and Black Lives Matter."]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["Copyright Avery Research Center for African American History and Culture"]}},{"label":{"en":["Access Note"]},"value":{"en":["For more information contact the Avery Research Center for African American History and Culture, 125 Bull Street, Charleston, SC 29424."]}},{"label":{"en":["Access Statement"]},"value":{"en":["All rights reserved."]}},{"label":{"en":["Interviewee"]},"value":{"en":["Gallion, Aisha"]}},{"label":{"en":["Interviewer"]},"value":{"en":["Brown, Millicent E., 1948-"]}},{"label":{"en":["Subject - Topical"]},"value":{"en":["Black lives matter movement","African Americans","Activism","Political participation","Community organization"]}},{"label":{"en":["Subject - Personal or Corporate"]},"value":{"en":["Scott, Walter, 1965-2015","College of Charleston","Southerners on New Ground (Charleston, S.C.)"]}},{"label":{"en":["Subject - Geographic"]},"value":{"en":["Charleston (S.C.)","North Charleston (S.C.)","Columbia (S.C.)"]}},{"label":{"en":["Subject - Geographic County"]},"value":{"en":["Charleston County (S.C.)"]}},{"label":{"en":["Contributing Institution"]},"value":{"en":["Avery Research Center for African American History and Culture"]}},{"label":{"en":["Media Type"]},"value":{"en":["Oral Histories"]}},{"label":{"en":["Resource Locator"]},"value":{"en":["AMN 1168.001.001"]}},{"label":{"en":["Digitization Specifications"]},"value":{"en":["Mp4 derivative audio and video created using Davinci Resolve. Archival masters are mp4 files."]}},{"label":{"en":["Date Digital"]},"value":{"en":["2022"]}}],"summary":{"en":["Aisha Gallion is a queer writer-musician who was born in Columbia, South Carolina and then moved to Charleston, South Carolina to attend college. While in Charleston, she became involved in community and social activism via groups like Southerners on New Ground and Black Lives Matter."]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["Copyright Avery Research Center for African American History and Culture"]}},"provider":[{"id":"https://lcdl.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Lowcountry Digital Library"]},"homepage":[{"id":"https://lcdl.aviaryplatform.com/","type":"Text","label":{"en":["Lowcountry Digital Library"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/212/original/LOHI_aviarybanner2.jpg?1741032082","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/291/374/small/aisha-gallion.mp4_1757954960.jpg?1757954961","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374","type":"Canvas","label":{"en":["Media File 1 of 1 - aisha-gallion.mp4"]},"duration":1925.716,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/291/374/small/aisha-gallion.mp4_1757954960.jpg?1757954961","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/content/1","type":"AnnotationPage","items":[{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-cofc.s3.wasabisys.com/collection_resource_files/resource_files/000/291/374/original/aisha-gallion.mp4?1757954956","type":"Video","format":"video/mp4","duration":1925.716,"width":640,"height":360},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374","metadata":[]}]}],"annotations":[{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157","type":"AnnotationPage","label":{"en":["aisha-gallion.docx [Transcript]"]},"items":[{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION  \n\nMy name is Aisha Gallion. I was born in Columbia, South Carolina and that's where I spent my childhood.   ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=0.0,7.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nVery good. One of the things I'd love to know is to, how did you find Charleston and the College of Charleston, or did it find you? ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=7.0,18.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nOh wow. That's such an interesting question. I remember were being in high school and we took these trips to different college campuses across South Carolina. We went to USC upstate. We went to Winthrop and we went to College of Charleston. And I remember kind of being in between Winthrop and College of Charleston as my choices and I looked, and I said, \"Oh, it's just so pretty.\" Later, of course, knowing who influenced that beauty and who was actually doing the work on the campus, the black folks. So I was like, \"Oh wow, this is a gorgeous campus.\" And I just was really fascinated by the history of Charleston because I had went there in fifth grade with elementary school and I said, \"You know what? We'll give it a chance and just see what happens.\"  MILLICENT BROWN\n\nOkay. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=18.0,68.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nOkay. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=68.0,68.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nOkay.  AISHA GALLION \n\nWhile I'm here. Yep. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=68.0,69.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN \n\nOkay. So what's the timeframe that you actually spent in Charleston? ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=69.0,75.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nOh, wow. So about 2013 to 2017. And then I visited a few times from 2018 to 2020. But I haven't been since, of course, since the pandemic and everything going on, it's a lot going. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=75.0,94.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nFor sure. There's one thing I have to say that we have in common. We see that once you left the College of Charleston graduated, you went to Florida State. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=94.0,106.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nYes. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=106.0,107.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nI, which is where I got my doctorate from Florida State. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=107.0,110.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nOh, wow.  MILLICENT BROWN\n\nYeah. Yeah. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=110.0,111.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nYeah. Yeah. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=111.0,111.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nYeah. Yeah.  AISHA GALLION\n\nWhat'd you get your doctorate in? ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=111.0,113.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nIn history in U.S. history. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=113.0,114.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nOh, wow. Oh, I'm wondering. Do you know- ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=114.0,118.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nNo, no. I was... I'm a few... Way, few years ahead of you. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=118.0,122.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nI was going to ask about professors you like. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=122.0,125.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nYeah. I'm afraid I've been long since retired, I'm sure ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=125.0,128.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nI hear you. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=128.0,129.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nYeah. But it was really quite interesting to hear of the focus of your work and how it actually kind of got started while you were in Charleston.  AISHA GALLION\n\nIt definitely did. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=129.0,144.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nIt definitely did. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=144.0,144.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/22","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nIt definitely did.  MILLICENT BROWN\n\nSo you were here at a very interesting timeframe and for our project purposes we're more or less framing this project around the 2014, '15 timeframe, on into literally until today. But especially the fact that you were here and witness to much of what was going on. So I'm going to just ask you to talk a little bit about what you were observing even as a young student here at The College and what those influences were that kind of peaked your interest. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=144.0,193.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/23","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nOh, wow. That's such a loaded question. I see. Initially when I first started attending College of Charleston, I kind of had these blinders up in the sense that I came from a middle class background in Columbia, South Carolina. And then I went to College of Charleston and I met all different kinds of people who, particularly these upper class white folks, were very insistent, very interesting people. And I began getting involved as a queer black youth with queer black activists back in 2015. And our first action that we took, I wasn't even aware that it was an action. I remember one of my friends, I wish I had text messages for y'all. But one of my friends text me and she said, \"Hey, you want to get involved with something this Sunday?\" I said, \"I guess. I don't know. I don't know what's going to happen but okay.\" So I remember us, we met at, I guess it was near the pineapple fountain, but it was on kind of like the side streets of the pineapple fountain or the side walkways. \n\nAnd I remember just seeing some familiar faces from College of Charleston but also seeing people I've never met before. And they started introducing themselves. They were like, \"Hey, my name is da da, da, da.\" Or, \"We work with Black Lives Matter in Atlanta,\" or, \"We work with SONG,\" which is Southerners On New Ground. And I began being like, oh, we about to do... We about to do a protest. This is about to be an action. So they gave us an outline. We had a script that we had. I actually have the scripts beside me, because I was like, wow. Just going back down memory lane as traumatic as it is, is to me kind of important to consider when I came into this interview, but we ended up going to High Cotton. That was our first one that we did. It was in direct... What's the word? Direct in a relation to the murder of Walter Scott. It was a direct action towards that. And I just remember feeling so... I don't know, overwhelmed with emotion. It was... Even now, it's... ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=193.0,335.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/24","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nYeah. Take your time. It's okay. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=335.0,337.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/25","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nIt was just so heavy. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=337.0,360.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/26","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nCan you, as difficult as it is, explain heavy. What is it that's happening now? ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=360.0,367.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/27","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nJust knowing that... Excuse me... These powers that be these police officers, the people in power just simply don't care. And they allow that to happen and they continue to allow it to happen to black people. And I think that's where a lot of the feelings of heaviness came from. Because it was something that I don't think I realized until I began working with different activists or protesting, so to speak. I didn't realize the gravity of it, pretty much. You experience things, but you don't always realize what's actually happening. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=367.0,431.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/28","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nAre you seeing that growing up in Columbia, you had pretty much been sheltered from that kind of action? ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=431.0,440.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/29","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nDefinitely from the protest side of it, I wouldn't say experientially. My dad was profiled. And I remember police officers coming to our house because they were saying he stole something or is doing something related to stealing. So I'd had different experiences where I was like, \"Oh yeah, we see what's going on.\" Black people are profiled quite a lot. But definitely the experience of protesting with others gave me, I guess, a purview of like, oh wow. Like the gravity of this is like very large. And I feel it. I literally felt it. Excuse me, I'm sorry y'all. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=440.0,495.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/30","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nYou're saying then that prior to coming to the college, you did not have that kind of a support group where- ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=495.0,504.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/31","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nOh no. Not at all. Not at all. Nope. Not at all. I would say that the people that we... Not we... That I ended up communicating with and being closer to are people I stay in contact with to this day. Not only because of what happened during those times, but because we shared identities as being queer and black and from the South and those sorts of things. But yeah, a lot of what I remember during those times is just that heaviness. A lot of things went by very fast. So immediately after the first black brunch that we did, we, I think attempted to do another one at Palmetto Cafe. I believe it was during the same week, but there was something that happened with that, where we went in and there was like a... It was almost like they knew we were coming there, as odd as that sounds. Similar with Hominy Grill and Hominy Grill was the last black brunch that we actually did because it escalated. \n\nAnd before coming into the interview, I was actually reading the Post and Courier, the Post and Courier media, I guess whatever they put out in response to the Hominy Grill black brunch. And I was just like, y'all really played it down. The level in which it had escalated, somebody had their hands put on them by one of the managers or directors of operations or whoever at the restaurant. So we said, okay, this is getting too dangerous. We can't continue to go on in this way. We have to, I guess... I guess our next step was doing something larger. Because that's when, during May the bridge was shut down, the Ravenel Bridge, one side of the bridge was shut down. So I don't know. It's a lot to unpack there, I'm sure. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=504.0,631.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/32","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nWhy don't you help us understand a little bit about this action, the black lunch that you were referring to. You mentioned that you got called in and said, \"Yeah, sure. I'll go.\" Not really knowing what you were getting into. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=631.0,649.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/33","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nNot at all, not at all. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=649.0,650.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/34","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nCan you help us understand what is it then that happened? What did you get into- ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=650.0,656.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/35","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nExactly. Yes. So black brunch, at least from how I understood it following that first one, was a way of literally interrupting this sort of business as usual, that a lot of, not only white folks, but there's various people that come from various backgrounds, but mainly upper class white people going to these brunches. So we decided to come in their space and interrupt what was on to say our peace and make sure we make it known that, hey, we are here. Our lives matter. We are not here by mistake or by chance, or for the service of y'all. Because oftentimes I think... I don't know, not oftentimes, but literally the food culture in Charleston is black and these businesses make this money off of the backs of black people. These businesses that make these brunch foods. \n\nI remember reading in the article that morning they were going to serve oxtails and grits. And I'm just like, \"Okay. Really do we have to include that detail?\" Of course y'all did. But y'all didn't include the detail where somebody almost got assaulted. It's this sort of thing that became so common in Charleston, where they were trying to cover up what was really happening and trying to sanitize it. That there's a lot of that goes on, I feel like. And I think that's what led me to wanting to actually write about what was going on, in the context of hip hop culture or hip hop music, honestly. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=656.0,760.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/36","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nAnd I really do want to let you talk to us about that, but before we leave those lunches, I'm a little... I don't know that we understand SONG and who was strategizing to plan these lunches. Can you help us understand that a little bit? ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=760.0,782.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/37","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nSure. Yeah. I'm trying to understand as well, because Southerners On New Ground, SONG, is a organization that connects queer people across the South, but they also do different and actions like bailout black mamas. So women that... Black women that are in jail. As well as phoning. There's a lot of things that they do, honestly. They have so many actions that they take. But I'm trying to think the main people. I know Pope. So Kamau Pope was behind quite a bit of the planning that we did as well as Princess, Lyles, Jillian, who also still works with SONG, I believe. And is it Jasmine? Names are escaping me, I apologize. It's been a while. But I don't know... A really powerful group that actually does a lot of work in the communities that they serve across the South, across the Southeast. Yeah. Does that answer it? ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=782.0,846.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/38","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nYeah. Surely it's just that remembering now that this conversation with you may be heard many years from now. And so we don't want to assume that people will understand what you meant by SONG. No. But you were going to tell us a little bit more about your work. You got embraced by these comrades around here. You actually took part in some of these direct action lunches. Tell us then what that spun off for you academically. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=846.0,886.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/39","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nYeah. I don't know if I even ever considered writing about Charleston until I got to Florida, and then I saw the connection and history between the two in some ways. Just as far as in the regard of like chattel slavery and things like that. But I'm trying to think how it started. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=886.0,908.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/40","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nAre you a musician at all? ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=908.0,911.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/41","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nI am. So I played cello for a while and then I learned how to play steel pan a little bit. The program I was in... So the music college program at Florida State, we had to learn how to play other instruments as well as what we played. So I did that and I sang in gospel choir, which has always been something that I really love. I did that at College of Charleston as well. But I don't know, I've always loved music. So going to different house shows and hip hop shows in Charleston was something that I enjoyed doing. I didn't have a car, so I wasn't able to really travel to North Charleston, like I wanted to and things like that. But I did my best and I attended a lot of shows and just really found it fascinating. \n\nBecause I say, we have our own hip hop culture here. You always hear about Atlanta. You'll hear about Tennessee, Memphis. You'll hear about, in some cases, New Orleans. But you don't hear too much about the Carolinas, specifically Charleston. So that was something that fascinated me. Also just my knowledge around the history of Charleston and then environmental racism that occurs here, which I felt was not necessarily unique, but something that wasn't explored a whole lot with regard to how it's talked about in music. Which is why I ended up speaking to Benny Starr as well when I began some of my research. I'm trying to think. What else? ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=911.0,1002.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/42","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nTell us what's attracting you to it. I mean, you're listening to it. You're attending shows, but explain to us what it is about that hip hop that you were actually responding to. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1002.0,1015.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/43","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nYeah. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1015.0,1016.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/44","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nWas it the music? Was it the lyrics? I mean, what's drawing you? ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1016.0,1019.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/45","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nYeah, it was music and lyrics. Yeah. It was music and lyrics. There was something about... I don't know, how we expressed ourselves. And I say, we because I mean, there were moments where I was involved in the poetry scene in Charleston and that scene did connect to the hip hop scene and I felt like it was unique in a way that I'm still having a hard time kind of explaining. Even when I wrote my paper or wrote my thesis, I had a hard time kind of explaining what I was hearing, but I do know that everything— not everything, but a lot of what people were talking about in their music was, to me, relating to how black people just need a space to be. Just live and be. \n\nAnd because of that, they had created spaces for themselves to do that in Charleston, despite what was going on. And I just found that to be very beautiful. And for me, it's something that I realized that can apply across the South. It can apply anywhere where black people are at. So that was something, I think that's what really like captured me as somebody who's a music lover. Just knowing what people were doing with the music and then how they wanted it to be received on that end. If that makes sense. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1019.0,1105.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/46","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nOh, of course. Again, you happened to be here at a really quite traumatic time. Again, Walter Scott's murder and other incidents that were going on. Are you hearing that be reflected in the music or is there a separation between the activist community and the music community? ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1105.0,1134.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/47","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nYeah, it's so interesting because I remember initially starting my project and I was going to talk about kind of like black lives and Black Lives Matter as a movement in itself, but there was something that one of the artists said that struck me and he was like, \"Not everything is a response to, say, Black Lives Matter or in coalition with it.\" And I was like, \"You know what, you're right. And that's okay, there's nothing wrong with that.\" So I think part of my work was kind of— not separating, seeing the connection between how people respond to Black Lives Matter or with Black Lives Matter. But also understanding that's not everyone's intention and there's nothing wrong with that. Some people just really do need a space to be. All people, actually. I'm not talking about some. \n\nAll people actually need that space to be, and all people still need and understand, they already understand that the space that they're in Charleston, whether or not they were from there. Because I interviewed people that weren't necessarily from Charleston. That they understood that history, but they still needed that space to just not have to think or worry or respond all the time I think. And that's where it came down to I think. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1134.0,1226.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/48","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nI'm sorry. And what happens in that space? I mean, I hear what you're saying, but when I find that space to be, what does that mean? What happens there? ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1226.0,1238.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/49","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nThe celebration, just everyday life. The monotony sometimes of everyday life. I know at least in one of the people I interviewed, he did directly respond to the Heirs Property Laws and things of that such nature that were happening in the Barrier Islands of Charleston. And even in his work, he has these songs where he was just talking about everyday life and he's living it. And there's heavy times, but he still finds time to celebrate. So for me it was also just kind of like, I'm having a celebration of life too. Yes, we do respond to white supremacy, but we're also here celebrating because we have lives worth living outside of a response to someone else. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1238.0,1290.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/50","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nThat is really quite intriguing. You're continuing to write in that vein. Are you... Is that something you're trying to continue to pursue? ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1290.0,1300.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/51","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nI do. I'm definitely... I stepped away from it, I think because of a lot of the memories that started to crop up and then I sometimes found it hard to explain what I was saying. So I've kind of put a pause on it at least with regard to specifically in Charleston. But I've been writing a bit about the... I don't even know if I would say celebration of black life directly, but just us existing and living on our own and how we specifically, more recently, connect to nature through music. Or how we use music, not use music... Use nature to propel whatever ideas we have about the music that we're making and do. So... And I've tried a… ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1300.0,1360.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/52","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nCan you be a little bit more specific? Can you give us… ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1360.0,1361.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/53","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nYeah. Oh, yeah. So recently I actually published a piece on my Substack about just what does it mean to ground, especially when... Well, grounding in the blues, specifically. Blues music in the South during this contemporary time, where some people may think that the blues music is something that's a relic of the past, but it's really not. It's definitely still something that exists and has many iterations of musical family tree if we want to go there. So I talk about that and what does it really mean ground when your relationship with nature has been sort of... Not sort of... Most definitely... What's the word I'm looking for? It's in some ways fractured because of how black people have been taught to... Not taught, but how we have had to navigate different spaces and places and environments. How we have had to run away from literal bondage. \n\nIn that article, I kind of discuss the blues as this way of exploring nature and how black people actually explore nature. So for example, Adia Victoria, she's actually from South Carolina. I believe she's from somewhere near Spartanburg. I don't know if I'm on the right, the dot right there. But she is from South Carolina and she has this album called A Southern Gothic. And there's a song on there called Magnolia Blues. And she's... I don't know. There's something about the song that feels like it exists in the present and the past. But in the song she says, \"I'm going to plant myself under a Magnolia, after all these years,\" of probably fighting and exploring the North and going up North and then having to come back down South and ground yourself in the actual land, I just found it very powerful what she was talking about in that song. \n\nSo that was one of the examples that I gave of a way of grounding. Because grounding for me within nature and outside of nature really does mean pulling back from the past and being able to confront it, talk about it, understand it, wrestle with it in a lot of ways. And return and heal and grow if possible. And healing is a lifelong process in my opinion. But yeah, that's some of what I was talking about. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1361.0,1532.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/54","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nDid you run away from the South by being out in Colorado? ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1532.0,1536.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/55","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nI didn't even want to run away from the South. That's the thing. I cried so much when I had to move here. Oh my goodness. I did not want to move here. I did not want to move here. But I was in a situation in 2020 where I could not find a job. I just... There was nothing. Nothing that was coming up, nothing. I tried. I tried applying in Florida, I applied in South Carolina. I applied in Georgia. I applied everywhere honestly. And it came down actually between Boston and Colorado. And I got offered the job in Colorado and I said, \"Okay, it's either we going to move back home with mama.\" And I was like, \"I don't want to put that burden on her. And I don't want to do that. Honestly.\" I just, I'm good at a place in my life. I don't want to do that. And I decided to move to Colorado at that point. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1536.0,1581.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/56","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nSo do you think it's because... Or are you trying to say that the southland, especially South Carolina, was not open to these concepts that you were exploring? ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1581.0,1596.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/57","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nI don't know. Honestly, I think it was because my job as an academic advisor is... Doesn't really... I don't know. I still write. So it doesn't really explore that, I guess you could say. So the jobs I was applying for... I'm trying to think my memory. What a year, I tell you. But the jobs I was applying for weren't really related too much to writing. I don't feel as if I was prepared to apply for a writing job. In some ways, I still don't feel prepared, honestly. Just as far as where I feel the craft is. But I think it would be down to explore it. I know there's people down there given who all I've made community with in the South. I do believe that they'll be down to explore it, for sure. Yeah. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1596.0,1647.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/58","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nI think that might lead to a question that we've been asking of all of our participants. And that is, again, thinking about South Carolina, Columbia, Charleston, whatever. Do you have faith in change, systemic change occurring? Do you think that some of your activities with SONG and some of your interactions here have made a difference? ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1647.0,1682.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/59","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nIf they haven't made a difference, now, I feel like through this project, honestly, they will make a difference. When somebody goes into the archive and they're like, \"Hold up, this has long been happening.\" I feel there there's an eternal struggle in some ways, because there's so much to unearth and change that... I don't know. We'll need lifetimes to really get down to the root of what has happened in the hundreds of years that specifically the U.S. and U.S. South has existed. But that's a hard question. I don't know if there's been a large scale change. I don't think there's been a large scale change. But I do think there's been micro changes probably in how people come together, maybe. Maybe in how people decide to approach each other when it comes to different protests and actions or if they're organizing. I don't know, honestly. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1682.0,1749.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/60","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nWell, let me put it to you this way. In that, it may be some years down the road. One, two, 10, 20, who knows? If you were talking to young people who are trying to continue this trajectory of making life better for all people. And they're listening to you, what are the of words of wisdom that you want to leave with them? What did you learn from your level of involvement, your writing, your activism? What is it that you want them to know? ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1749.0,1790.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/61","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nI don't know. I think I experienced a lot of fear. So I would tell them that there's nothing wrong with experiencing fear, but you can't let it stop you from doing anything that is right. Let's just say that. Because I do think there are different points in my life where I didn't do something because I was afraid of, oh, what are they going to say? Or what are they going to do to me? But what I found is that anything worth doing is worth the struggle, for me. \n\nNow I don't want to lose my life. I don't want other people to lose their lives. But I do think that there is going to be some level of push and pull with whatever you do. So you can't be afraid to go through that struggle. And understand that it may not, like you said, lead to immediate change, but there are things in the long run that can be affected by what you're doing and what you decide to do or not to do. Right? Complicity. So yeah. That's where... ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1790.0,1863.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/62","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nYou seem to have some faith that the artistic world, the music world can play a part in that change? Are we hearing you correctly? ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1863.0,1872.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/63","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nOh, most definitely. Yes. Most definitely. Most definitely. And I think artists like Adia Victoria and Amythyst Kiah and all these other luminaries across music as they make it in the South are able to really show us that conversations do need to be had. Changes most definitely do need to be made, as they've long time been needed to be made, but it doesn't happen without us addressing and going through that struggle together. Yeah. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1872.0,1909.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/64","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nWe wish you all the best out there. We hope you'll stay in touch with us and we really appreciate you sharing your thoughts and experiences with us. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1909.0,1919.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/65","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nThank you, Dr. Brown. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1919.0,1920.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/66","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"MILLICENT BROWN\n\nOh, you're very welcome. You take care. ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1920.0,1924.0"},{"id":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374/transcript/84157/annotation/67","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"AISHA GALLION\n\nYes. Take care.  ","format":"text/plain"},"target":"https://lcdl.aviaryplatform.com/collections/3440/collection_resources/160062/file/291374#t=1924.0,1926.5"}]}]}]}